IMAGE EXILE EYES DESIRE



IMPRESSUM





Produkcija | Produced by: Film-protufilm

Umjetnička direktorica | Artistic director: Tanja Vrvilo

Partnerski program MAKE UP - MAKE DOWN, Videoretrospektiva Sanje Iveković za kino | Programme cooperation MAKE UP - MAKE DOWN, Sanja Iveković’s videoretrospective:  MMSU Rijeka (Branka Benčić, Sabina Salamon),
Art-kino (Slobodanka Mišković)


Kustosi/ce | Curators: Sanja Iveković, Alexander Horwath, Regina Schlagnitweit,  Branka Benčić, Sabina Salamon, Nicole Brenez, Jonathan Rosenbaum,
Pedro Costa, James Benning, Tanja Vrvilo


Umjetnička asistentica | Artistic assistant: Jasna Givens

Programski koordinatori | Programme coordinators: Jasna Givens,
Maja Alibegović, Miodrag Vučinić, Ana Šegrt


           Koordinatorica projekcija | Coordination of screenings: Jasna Givens 

Koordinatorica projekcija videoretrospektive Sanje Iveković |
Coordination of screenings of Sanja Iveković’ videoretrospective:
Maja Alibegović


Urednici programskih knjižica i publikacija | Editors of programme booklets and publications: Damir Gamulin, Tanja Vrvilo, Branka Benčić, Sabina Salamon,
Gaetano Liberti, Bartol Babić Vukmir, Dina Pokrajac, Karla Crnčević


Urednici simpozija | Symposium editors:  Tanja Vrvilo, Goran Sergej Pristaš, Aleksandra Sekulić, Branka Benčić, Sabina Salamon, Marta Baradić, Jelena Androić

Programska podrška | Programme support: DB Indoš, Maja Vrvilo, Rick Wilkinson (Language Barrier Productions), Branka Benčić, Sabina Salamon (Muzej moderne i suvremene umjetnosti Rijeka), Mario Kozina, Maja Jurić Ivoš, Dejan Sladović (kino Kinoteka); Slobodanka Mišković, Ana Šegrt, Miodrag Vučinić, Andrea Vranić, Marta Ban  (Art-kino), Kumjana Novakova (Pravo ljudski film festival)

Koncept, dizajn, razvoj web stranice | Concept, design, development of
web page:
Gaetano Liberti


Dizajn programskih publikacija i razglednica | Design of
programme publications:
Gaetano Liberti


Dizajn  plakata i knjige RESNIK-BOOK | Design of poster and RESNIK-BOOK: Damir Gamulin
Tekstovi, bilješke, prijevodi | Texts, notes, translations: Alexander Horwath, Regina Schlagnitweit, Jacques Rancière, Sanja Iveković, Dalibor Martinis, Diedrich Diederichsen, Danièle Huillet & Jean-Marie Straub, Serge Daney, Bernard Eisenschitz, Robert Desnos, Franz Kafka, Nicole Brenez, Jonathan Rosenbaum, Marina Schumann, Ljiljana Filipović, Bartol Babić Vukmir, Tanja Vrvilo, Tom Holert, Bojana Pejić, Silvia Eiblmayr, Vesna Vuković, Sonja Pregrad, Dina Pokrajac, Karla Crnčević, Lidija Toman,  Claudia Pummer,  Chris Fujiwara,  Tag Gallagher, Jasna Žmak, Julie Rodrigue,  Babette Mangolte,  Patricia Pisters, Gene Youngblood



 Prijevod filmova i titlanje | Film translation and subtitling:
Marko Godeč - Ministarstvo titlova, Vanda Gajšak Đokić - Dobbin


Projekcionisti | Screenings coordinators: Romano Perić, Ana Jurčić,
Gregor Bogdanović (16/35-mm + DCP, Art-kino), Igor Šubat,
Miroslav Kraljević, Marijan Bošnir (16/35-mm + DCP, kino Kinoteka)


Audiovizualno opremanje i arhiviranje | Audiovisual equipment and archiving:  
Damir Bartol Indoš


Foto i video dokumentacija | Photo and video documentation: 
Miro Manojlović, Nina Đurđević, Nataša Radović, Hrvoje Radnić, Vid Begić, Filip Zadro


Tisak kataloga i promidžbenih materijala | Printing of catalogues and promo materials:Kerschoffset, Ars kopija,  Sveučilišna tiskara

Prijevoz  | Transportation: Vadium d.o.o. (DHL), DB Schenker (UPS), Šarlog d.o.o., Tomislav Crnković (Panda Wheels)

ZAHVALE / AKNOWLEDGEMENTS:
Sanja Iveković, Dalibor Martinis, Diedrich Diederichsen, Paul Cronin, Nicole Brenez, James Benning, Dylan Lustrin (neugerriemschneider), Pedro Costa,  Jonathan Rosenbaum, Katie Trainor (The Circulating Film & Video Library, The Museum of Modern Art), Garbiñe Ortega, Cristian Ruiz, Teresa Morales de Álava (Punto de Vista),  Karpo Godina, Darja Hlavka Godina, Igor Prassel (Slovenska kinoteka), Milena Fiore, Aurora Palandrani (Fondazione AAMOD), Seth Mitter (Canyon Cinema), Light Cone, Corinna Reicher (British Film Institute); Nicole Fernandez Ferrer, Peggy Préau (Centre audiovisuel Simone de Beauvoir ), Louise PARAUT (Gaumont), Wafa Ghermani (The Cinémathèque Française), Lara Wolfs (CINEMATEK – Cinémathèque royale), Céline Brouwez (CHANTAL AKERMAN FOUNDATION - CINEMATEK), Carmen Accaputo, Cesare Landricina (Cineteca di Bologna), Marie-Pierre TISSANDIER (DISTRIBUTION SERVICE), Barbara Ulrich, Christophe Clavert (straub-huillet-films, BELVA Film), Andrew Adar (Maysles Films), Blue Kraning, Laura Kraning, Stephanie Barber, L. Joshua Schmell, Yael Greenberg (UNKNOWN ENTITY, INC.), Sara Wessen Chang (McEvoy Foundation for the Arts), Laetitia Dubois (film-documentaire.fr), Laurence Berbon (Tamasa Distribution), Dustin Lawrence  (Vtape), Carsten Spicher, Martin Gensheimer (Internationale Kurzfilmtage Oberhausen gGmbH), Isabelle Piechaczyk (Sixpackfilm),  LUCIA EFEITOS ESPECIAIS LDA, Sara Ickow (International Center of Photography), Hannah Sage Kay, Karl McCool (Electronic Arts Intermix EAI), Elliot Lardenois, Florence Keller (L'Agence du court métrage ), LUX, Roselly Torres (Third World Newsreel), Angelika Ramlow, Carsten Zimmer, Cornelis Los (Arsenal - Institut für Film und Videokunst e.V.) Daniel Drasin, Eliel Santos, Steven K. Hill (UCLA Film & Television Archive), Jed Rapfogel, John Klacsmann (Anthology Film Archives),  Francesca Bozzano, Nicolas Damon, Yuna Le Masson, La Cinémathèque de Toulouse, Mark Toscano, Edda Manriquez (Academy of Motion Picture Arts and Sciences),  Fundació Antoni Tàpies






Program videoretrospektive Sanje Iveković MAKE UP - MAKE DOWN za kino odvija se u kontekstu izložbe u Muzeju moderne i suvremene umjetnosti u Rijeci  u suorganizaciji s Filmskim mutacijama: festivalom nevidljivog filma XV | Program of videoretrospective by Sanja Iveković MAKE UP – MAKE DOWN for the cinema is made in the framework of the exhibition at the Museum of Modern and Contemporary Art, in collaboration with Film Mutations: Festival of Invisible Cinema XV

Filmske mutacije: festival nevidljivog filma, umjetničko-teorijski projekt o politikama filmskog kustostva i promišljanje modusa prijenosa filmskog dispozitiva u digitalnom dobu, pokrenula je 2007. godine u Zagrebu izvedbena umjetnica i filmologinja Tanja Vrvilo. | Film Mutations: Festival of Invisible Cinema is an art & theory project on the politics of film curatorship and modes of migration of the cinematic dispositive in digital era, initiated in Zagreb in 2007 by performance artist and filmologist Tanja Vrvilo.

Producent projekta je umjetnička organizacija Film-protufilm u partnerstvu s  Muzejom moderne i suvremene umjetnosti Rijeka, Art-kinom Croatia, kinom Kinoteka Zagreb.  | Producer of the project is art organisation Film-protufilm in partnership with The Museum of Modern and Contemporary Art Rijeka, Art-kino Croatia and Kino Kinoteka Zagreb.  

Naše programe podržavaju | supported by: Hrvatski audiovizualni centar, Ministarstvo kulture Republike Hrvatske, Ured za kulturu Grada Zagreba,
Language Barrier Productions, Inc., Zaklada Kultura nova,  Rijeka 2020 – Europska prijestolnica kulture.